When someone behaves unprofessionally, you have two options. You can react unprofessionally in response, or you can take the high road, be the bigger man, rise above it, etc– we have a lot of ways to convey the same idea. Two wrongs, as we all learned in kindergarten, don’t make a right.
And yet, Whiplash seems to think they do. Or maybe it doesn’t, I’m not even sure. Based on the structure– a kid who wants to be great at something tries really hard and is spurred on by a hard-driving teacher– it seems like we’re supposed to feel for the kid. But Andrew (Miles Teller) doesn’t have a whole lot of redeeming qualities that make him worth rooting for, except for a sad kind of face and the idea that he really really wants it. which means something, right? (Answer: no) Continue reading